Download Action and Agency in Dialogue: Passion, incarnation and by François Cooren PDF

By François Cooren

What occurs whilst humans converse or discussion with one another? this can be the daunting query that this e-book proposes to deal with by means of ranging from a debatable speculation: What if human interactants weren't the single ones to be thought of, paraphrasing Austin (1962), as “doing issues with words”? that's, what if different “things” may be granted the prestige of brokers in a dialogical scenario? motion and supplier in discussion: ardour, incarnation, and ventriloquism proposes to discover this particular speculation by means of mobilizing metaphorically the thought of ventriloquism. in keeping with this ventriloqual viewpoint, interactions are by no means basically neighborhood, yet dislocal, that's, they consistently mobilize figures (collectives, ideas, values, feelings, etc.) that incarnate themselves in people’s discussions. This hugely unique ebook, which develops the analytical, functional and moral dimensions of this kind of theoretical positioning, will be of curiosity to verbal exchange students, linguists, sociologists, dialog analysts, administration and organizational students, in addition to philosophers attracted to language, motion and ethics.

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Additional info for Action and Agency in Dialogue: Passion, incarnation and ventriloquism (Dialogue Studies)

Example text

As Latour (1996) points out, when one acts, others proceed to action. Depending on who or what we want to take into account in our descriptions, we will focus or not on specific actors/agents/beings partaking in this process. For instance, why could not we say that it is the bulb that is illuminating the room? From a technical viewpoint, this sounds perfectly acceptable. Similarly, one could go upstream in the chain of agency and acknowledge the connection between the two terminals as being what also illuminates the room.

As Latour (1996) points out, when one acts, others proceed to action. Depending on who or what we want to take into account in our descriptions, we will focus or not on specific actors/agents/beings partaking in this process. For instance, why could not we say that it is the bulb that is illuminating the room? From a technical viewpoint, this sounds perfectly acceptable. Similarly, one could go upstream in the chain of agency and acknowledge the connection between the two terminals as being what also illuminates the room.

Instead of starting from ideal cases of speech act production, Derrida thus proposed to identify all the various ways by which people can “do things with words,” even in cases where what Searle (1979) calls “conditions of success” are not met. Interestingly, this approach allowed Derrida to offer what I consider to be a more inclusive version of speech act theory, a version that acknowledges, for instance, the possibility of performing a successful commissive without intending to do so (Cooren 2000).

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