Download Advertising and Identity in Europe: The I of the Beholder by Jackie Cannon, Robin Warner, Patricia Odber De Baubeta PDF

By Jackie Cannon, Robin Warner, Patricia Odber De Baubeta

Advertisers objective particular teams of customers and entice them accurately when it comes to their experience of team club. So, as our experience of team id is damaged down via international communications applied sciences, how do advertisements proceed to focus on mass audiences?

This quantity stands on my own because the first dependent review of the effect of ads, by way of tradition and of industrial, around the nationwide obstacles of Europe. It considers the successes and screw ups of a number of internaational strategic advertising plans, and describes stylistic and persuasive traits of particular promotional texts. With examples from Scandinavia to the Iberian Peninsula, the members additionally discover different structures of nearby, nationwide, social and sexual identities exploited via advertisers to render their messages powerful. therefore, the publication could be of curiosity to students of media reviews, language, and cultural reports in addition to these operating in marketing.

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Extra info for Advertising and Identity in Europe: The I of the Beholder

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All definitions of rhetorical tropes are taken from Gideon O. Burton (1996–8), where the appropriate classical and Renaissance authorities are also cited. Where Burton differs from other authorities, particularly Albadalejo, Corbett, Harris and Nash, these are also quoted. e. , Oxford, 1968. In addition to those sources cited above, an increasing number of Internet sources on rhetoric have proved useful. htm; and of course the author already cited, Gideon O. htm. , ‘La Lengua y la Publicidad’, Español Actual, 33 (Junio 1977).

It might be argued that searching for rhetorical tropes in the language and imagery of the television advertisement is rather like the Molière character who discovers that 32 Rhetorical Devices In Television Advertising all his life he has been speaking in prose: that, in other words, these devices are now so well embedded in the language of persuasion and indeed in everyday language that no classical origin need be sought nor identified. This is both true and false. It is true, in that those who use language and images to persuade may indeed be ignorant of a classical precedent; but it is false in that rhetoric is but a means of classifying those alterations of syntax, grammar and meaning which are deployed to persuade.

It is important to remember, however, that interpretations of the Mediterranean are likely to differ greatly according to the potential consumer’s location when the image is triggered. Tourists from other parts of Europe may well arrive en masse in Spain with a preconceived idea of what Mediterranean represents, but in Spain understanding of the term is not restricted to memories of holidays but encompasses a wider range of associations. While it is the case that many Spaniards spend their holidays on this particular coast, they have a greater awareness than foreigners of the political geography of the country, recognising that Catalonia and Valencia, two of the most prosperous regions with their own regional language, extend along the Mediterranean coast of the whole eastern territory of Spain.

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