By Siegfried Zielinski
The media are actually redundant. In an outline of advancements spanning the earlier seventy years, Siegfried Zielinski’s [ . . . After the Media] discusses how the technique of technology-based communique assumed a systemic personality and the way conception, paintings, and feedback have been operative during this approach. Media-explicit considering is contrasted with media-implicit notion. issues of touch with an arts standpoint comprise a reinterpretation of the artist Nam June Paik and an advent to the paintings of Jake and Dinos Chapman. The essay ends with appeals. In an summary of an exact philology of actual issues, Zielinski indicates chances of how issues may well continue after the media. With a vade mecum opposed to psychopathia medialis within the kind of a manifesto, the publication advocates for a contrast to be made among on-line life and offline being.
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Extra info for [...After the Media]: News from the Slow-Fading Twentieth Century
In the opin ion of the d esigner of the bio - adapter only the unit h u m a n - adapter c a n stand firm when chal l enged by responsible a nthropological criticism, and, in addition, will for the first time satisfy th e hea lthy and heroic ideal of a homo sapiens that rules th e cosmos; on th e one hand, by draining the cosmos, and o n the other by liq uida ting homo sapiens. Human beings, when out of their adapters are exposed, nervously activated 61 ba dly equipped ( langua ge, l ogic, m e n tal capa city, orga n s, tool s ) lu mps of slime, s h a k i n g with fear o f life and petrified by fea r of d ea th .
With my father I a lready spoke across the wid th of a continent, but it was together with my son that I first saw th e moving pictu res of the explosion at Hiroshima . "2 1 The central i d e a of this toolbox is pleasurable learning and teaching throu gh productions which at once in terpret the world and are the world. " B ut science and art meet on this ground, that both are there to make men's life easier, the one setting out to maintain, the oth e r to entertain us. In the age to come art will create entertainment from that new productivity which can so 20 Schlesinger ( 2 0 0 3 ) p.
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